Creation (n.) is at once a great suffering and the great redemption from suffering.
Creation (n.) is a vulgarity when it manifests as a need to create continually; it betrays jealousy, envy, ambition, if one is something one really does not need to make anything -- and one nonetheless does very much.
Creation (n.) is not possible for the mere good. The good are incapable of creating, and, as such, they are always the beginning of the end.
Creation (n.) is the great redemption from suffering and all life's growing light, though it is a redemption that involves both suffering when needed and continual change.
Creation's (n.) fixity not be destroyed by pointing to its misty cloud of delusion, but only as creators, and it is enough to create new names and estimations and probabilities in order to create in the long run new things..
Creation (n.) is a kind of male motherhood, and just as pregnancy has made women kinder, more patient, more timid, more pleased to submit, so too does spiritual pregnancy produce the character of the contemplative type, which is closely related to the feminine character.
Creation (n.) in art springs from a hybrid tension: exuberant amazement at the world coupled with the ardent longing to approach that same world as a lover — to find love and no longer only worship.
Creation (n.) of the world may have been an ascetic operation on the part of a god — banishing himself into nature as into an instrument of torture to feel his bliss and power doubled.
Creation (n.) in art always raises the question: is it hunger or superabundance that has here become creative?
Creation (n.) is a hammer driven toward the stone: an image sleeps in the hardest, ugliest stone, and the shards fly.
Creation (n.) of a world is boring — condoned only on account of a little joke.