Character (n.) is determined more by the lack of certain experiences than by those one has had.
Character (n.) is determined more on obeying one's temperament than on obeying one's principles.
Character (n.) seems unalterable only because life is short: a man of eighty thousand years would turn into a succession of different individuals.
Character (n.) in art is like a painted person, a little too thin to bear close inspection — we accept such characters only because we already treat real people as silhouettes.
Character (n.) is narrowness become instinct: few motives, energetic action and a good conscience — the strong man acts quickly because he does not have fifty possibilities to choose from.
Character (n.) is credited to a man far more often because he always obeys his temperament than because he always obeys his principles.
Character (n.) is shaped more by experiences we lack than by those we have: we do not know we have a serpent's tooth until someone sets his heel on us.
Character (n.) meets its hardest test in not letting oneself be ruined through seduction by the good.
Character (n.) faces its hardest test in not letting oneself be ruined by seduction by the good — the good as luxury, over-refinement, vice.
Character (n.) can be a mask — once and for all represent a character which hides the fact that one has five or six others.