Modernity (n.) is an era beginning with socrates that systematically thwarts an individual's emotions, sexuality, and creativity with ideas of equality, democracy, and human rights.
Modernity (n.) is identified with pessimism and nihilism, with exhaustion or decadent instincts.
Modernity (n.) snatches food like a starving man and nothing satisfies it; at its touch even the healthiest nourishment turns into 'history and criticism.'
Modernity (n.) has not a culture but a knowledge of culture; its cultural sensibility lies within like a snake that has swallowed rabbits whole and now lies in the sun avoiding all unnecessary movement.
Modernity (n.) leaves the soul oscillating between an imitated Christianity of morals and a timid revival of antiquity — Christianity's higher ideals made ancient virtue disgusting, then proved unattainable, and there is no going back.
Modernity (n.) is the waters of religion ebbing into swamps, nations longing to tear each other apart, sciences dissolving belief in blind laissez-faire, a contemptible money economy: the world has never been more worldly, never poorer in love and goodness.
Modernity (n.) turns all theories of state, nation, economy and justice into a defence brief for the present, prepared for a trial before its own bad conscience.
Modernity (n.) is indigestion: impressions arrive prestissimo and erase each other, until one instinctively refuses to take anything deeply.
Modernity (n.) has its talent in reactivity: historian, critic, analyst, interpreter, collector, reader — men who have unlearned spontaneous action and merely react to stimuli.
Modernity (n.) is indigestion: impressions arrive prestissimo and efface each other, the digestive power weakens, and man forgets how to act and only re-acts.