The Grand style (n.) originates when the beautiful carries off the victory over the monstrous.
The Grand style (n.) shares with great passion that it disdains to please, forgets to persuade — it commands: to become master of the chaos one is and compel it to become form.
The Grand style (n.) is the most intense form of the art of melody — the thing decadent taste is furthest from: the Palazzo Pitti has it, the Ninth Symphony does not.
The Grand style (n.) is the expression of the will to power itself — the most feared instinct daring to unmask itself.
The Grand style (n.) is a claim that any music today making it is either false to us or false to itself.