Alchemy (n.) was not just alembics and melting-pots: its secret was the transformation of personality by fusing the noble with the base, the conscious with the unconscious.
Alchemy (n.) was a more or less conscious restoration of the primitive God-image — bold enough to say God's love glows in the midst of hell-fire.
Alchemy (n.) and not scholasticism is the mother of the substance and concreteness of modern scientific thinking; scholasticism merely trained the intellect.
Alchemy (n.) was a mother who had once been a daughter — of the Gnostics — and died unrecognized after giving birth to science.
Alchemy (n.) found its wonderful solvent in the aqua permanens, the water that is no water — solutio meaning both a chemical solution and the solution of a problem.
Alchemy (n.) says "our water is fire" — an identity that splits into opposites the moment we think about it, as does the unconscious God-image: all that is, is so and yet not so.
Alchemy (n.) names the soul-sparks scattered in matter after the fish's eye, always open like the eye of God.
Alchemy (n.) was the unconscious found in matter: no one knew of an inner psyche, so its contents showed up as spirits and properties of things.
Alchemy (n.) is to the Christianity ruling on the surface as the dream is to consciousness: it fills in the gaps left open by the Christian tension of opposites.
Alchemy (n.) wavered endlessly between three and four, between the spiritual and the physical — showing how every human truth is a last truth but one.
Alchemy (n.) and astrology preserved the bridge to nature — to the unconscious — while the Church's refined dogma alienated consciousness from its roots; the old planet-gods survived as the spirits of metals.
Alchemy (n.) sought a gold that is not the common gold.
Alchemy (n.) explained the obscure by the more obscure, obscurum per obscurius, and so sank the alchemists ever deeper into the very process from which the Church struggled to redeem them.
Alchemy (n.) fell because it had to produce the incorruptible substance as a chemical product — an impossible task; chemistry took the laboratory, but the psychic part of the work found new interpreters.
Alchemy (n.) shifted from four colours to three for no outward cause — the process never worked — so the change must have inner, psychological reasons.
Alchemy (n.) is as much ethical — psychological — as physical, a formula impenetrable to our logic: why work in a laboratory if it is all symbolic, and why mythologize if it is chemistry?
Alchemy (n.) sows its gold like a grain of wheat in a black earth — "black blacker than black" — the magically fecund soil Adam took from Paradise.
Alchemy (n.) is Christian mysticism continued in the subterranean darkness of the unconscious: had the alchemist grasped it, he would have seen that as self he had taken over the work of redeeming not man but God — and Christ as a symbol of the self.
Alchemy (n.) housed the planetary gods in its seven metals until science deposed them only in the last hundred and fifty years — for Paracelsus they were still enthroned in the prima materia "to their own undoing and ours."
Alchemy (n.) mirrors the heavens in matter — its arcane substance, the whirling transforming matter, is the revolving heavens reflected in the unconscious: an image of the world projected into the alchemist's prima materia.