Introversion (n.) pushed far enough makes things lose their reality and dreams become truth — until, in a sort of panic, one claws back toward the world.
Introversion (n.) is being wounded by one's own arrow: the libido sinks into its depths and finds the paradise of early infancy, from which the relentless law of time drove us out.
Introversion (n.) is self-incubation and asceticism at once: for the Brahmanas it creates the world, for the mystic it creates a reborn self.
Introversion (n.) is the subject as magnet: all the life-energy flows back toward the self, drawing the object in rather than being drawn out.
Introversion (n.) treats the object as a mere outward token — the embodiment of an idea, where the idea is the real thing.
Introversion (n.) seeks intensity, not extensity.
Introversion (n.) is passive when one cannot give back to the object the libido streaming back from it.
Introversion (n.) means for the extravert a loss of self into archaic collective thinking — so he feels for it the same repugnance, fear or silent contempt the introvert feels for extraversion.
Introversion (n.) at the impasse is a will that decides for neither side but for the self: the libido, barred from every object outer and inner, sinks into the unconscious and drives the waiting fantasies to the surface.
Introversion (n.) and extraversion are not traits of character but mechanisms that can be switched on or off; a markedly extraverted man living beside an introvert became quite introverted once he met a still more extraverted personality.
Introversion (n.) does not repress the world; it devalues it, so the self becomes the only person in the room worth considering.
Introversion (n.) as a label means as little as Monsieur Jourdain's discovery that he had always spoken prose — until you know everything that goes with it.
Introversion (n.) is the hesitant, reflective attitude that keeps itself to itself, shrinks from objects, and hides behind mistrustful scrutiny.
Introversion (n.) is the "style" of the East as extraversion is the style of the West; Freud and the National Socialists alike damned it as an offence against community.
Introversion (n.) begins where life meets an obstacle: libido withdrawn from reality heightens fantasy, which tries to remove the obstacle at least in imagination — hence the stammerer's typical fantasy of a great talent for eloquence.
Introversion (n.) meant, for Dorn, separating soul from body: withdrawing the projections that lend the ten thousand things their deceptive glamour and examining one's desires and their motives.
Introversion (n.) is the turning of desire away from real satisfaction onto fantasies — Jung's good word, which he then muddled with a second meaning.
Introversion (n.) is Jung's word for libido turning from reality to unconscious phantasy, and every neurosis begins with it.