Empathy (n.) brings the distinctiveness of the object into sharp focus, while abstraction blinds us to it in favour of the general likeness; only both together make a concept.
Empathy (n.) is a form of extraversion: through feeling, a piece of oneself is projected into the object, which then seems to speak to us of its own accord — analytical psychology calls the same thing transference.
Empathy (n.) meets the object halfway in trust — and can create similarities and common qualities that do not exist, veiling and even violating the object's real nature.
Empathy (n.) is preceded by an unconscious act that empties the object and robs it of its own life, so that it can receive ours — the subject secretly gains the upper hand before he feels himself into it.
Empathy (n.) can mimic a talent when it is strong enough to adapt to the teacher — and when the personal influence ceases, the gift fizzles out like a straw fire, leaving ashes of disappointment.
Empathy (n.) is unsurpassed in a neurotic: the patient reads the analyst's personality and starts handling his conflicts as the analyst handles his own, which is how the analyst's personality heals.