Hysteria (n.) substitutes a physical pain for a psychic pain that is not felt because it is repressed — Herz rhymes with Schmerz.
Hysteria (n.) is extraversion exaggerated into imitation: an excessive rapport with whoever is near, a hunger to make an impression, and the “hysterical lie.”
Hysteria (n.) is a woman who has lost her hearing yet follows the pianist into a new key — she hears and does not hear.
Hysteria (n.) can let a blind man see everyone around him — but without their heads.
Hysteria (n.) is wanting to jump over one's own shadow and finding everything dark in others — so the hysteric must torment others rather than hurt himself by admitting his inferiority, and stands everywhere in his own way as his own evil spirit.
Hysteria (n.) as a disposition holds the opposites further apart than usual: the greater tension yields energy and drive, and also inner contradiction — everything we see in Faust.
Hysteria (n.) is systematic dissociation: the hysteric knows only his good motives, and when the bad can no longer be denied he becomes the unscrupulous Superman who fancies himself ennobled by the magnitude of his aim.
Hysteria (n.) and psychasthenia divide the spoils: the hysteric, free with his emotions, generally has a secret; the hardened psychasthenic suffers from emotional indigestion.
Hysteria (n.) is only too ready to manufacture traumatic experiences where they are lacking, deceiving both patient and doctor.
Hysteria (n.) once fooled a famous Berlin neurologist into diagnosing spinal sarcoma in a widow whose symptoms began the evening her only son married; the nurse had known all along.
Hysteria (n.) is a riddle whose borders widen the deeper we go, Jung wrote in 1904; its future theory will reach far beyond psychiatry and neurology.