Ritual (n.) dwindles to a figure of speech — the worshipper's roar becomes “my soul panteth after thee” — until schizophrenia infuses new life into the old usage.
Ritual (n.) is a paradigm for what to do when the libido gets blocked — a clearly defined procedure for canalizing energy.
Ritual (n.) such as prayer, sacrifice and invocation makes introversion work artificially at critical moments, compelling the libido down toward the unconscious.
Ritual (n.) seems to its believers to work magic on the object; in reality it enchants the subject — an intensification of vital feeling, a release of life force, a restoration of psychic potential.
Ritual (n.) diverts desire into work: the Wachandi dance round a hole dug like a vulva, thrusting spears and shouting “not a pit, but a c—!”, and no dancer may look at a woman lest the illusion break.
Ritual (n.) can outlive all knowledge of its meaning: the Elgonyi spit into their hands at sunrise, offering their soul to God without knowing it — and we know as little what our Christmas tree means.
Ritual (n.) keeps a crowd from relapsing into instinct by giving it a centre; without one, the mass itself becomes the hypnotic focus, a breeding-ground of psychic epidemics.
Ritual (n.) that works with archetypes aims always at one result: rescuing the individual from isolation by giving her a place in the life of the generations, so the life-stream can flow through her.
Ritual (n.) is done, not understood: Mr. Müller hides coloured eggs and sets up rabbit idols at Easter without the slightest idea why — archaic man does what he does; only civilized man knows what he does.
Ritual (n.) works like a vessel for receiving the contents of the unconscious.
Ritual (n.) did the work for the individual; with its collapse, he had to do without God's answer to his plans.
Ritual (n.) has a psychotherapeutic value for birth, puberty, marriage, sickness, war and death, as the ancient Egyptians already knew, and it still has.
Ritual (n.) asks the celebrant to be like a good actor, who does not merely represent the drama but lets himself be overpowered by the genius of the dramatist.
Ritual (n.) must be done according to tradition and not changed in one little point: reason must not be allowed to play with it.