Definitions HQ

The Idea (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠capable of existing almost everywhere and at all times and can even spontaneously create itself quite independently of migration and tradition.

An Idea (n.) convinces ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠most when it touches facts least: its force comes not from the meagre evidence but from the archetype behind it.

An Idea (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠for the introverted thinker not a child to be nurtured but a parcel dumped in the world — and he is annoyed when it fails to thrive on its own.

An Idea (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠abstraction at its limit — so detached from the object that it can no longer be represented at all.

An Idea (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the meaning of a primordial image, abstracted from its pictures — so it looks derived from thought, yet in essence it exists a priori as a possibility for thought.

An Idea (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the prime mover for the introvert; for the extravert, a product.

Idea (n.) traversed ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠in a smaller circle come round quicker and oftener: the endeavour is to make much out of little, creating through form a diversity the content lacks.

An Idea (n.) wants ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠changelessness and eternity, so whoever lives under its rule experiences everything that pushes toward change as an enemy.

Idea (n.) that ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠are a man's best and most profound often most obstinately resist clear formulation, though hinted at everywhere in his work.

Idea (n.) are ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠just as much feelings as thoughts — fatherland, freedom, God, immortality.

An Idea (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠always monarchic: even among many ideas one gains the upper hand and arranges the rest in hierarchy — so the idea-man tends to monism, the object-man to pluralism.

An Idea (n.) that ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠is great is not made but grows in its creator like a plant — the conservation of energy was not, strictly speaking, made by Mayer.

Idea (n.) that ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠were most powerful in history — religious, scientific, philosophical, ethical — all go back to archetypes consciously adapted to reality.

An Idea (n.) changes ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the world not by its reasonableness but by its timing — the only question, answerable only after the fact, is whether the time is ripe.

An Idea (n.) has ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠evaporated into a mere flatus vocis since nominalism won — but nominalism too is only a thesis coloured by temperament that claims universal validity.

Idea (n.) inevitably ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠lag behind the changing situation: only when the rift between the outer world and our antiquated ideas becomes unendurable does the question of a philosophy of life arise.

An Idea (n.) we ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠have of things, not the things themselves, is what directly affects humanity — the imaginary ideas by which we are obsessed.

Idea (n.) are ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠images for something, not its essence — symbols and even symptoms; take them literally and you block the way to them.

An Idea (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠psychologically true simply because it exists — like an elephant, it is a phenomenon, not a verdict.

An Idea (n.) that ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠is a psychic fact is stronger than man and his brain: he fancies he makes it, but it makes him — its unwitting mouthpiece.