Definitions HQ

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the feminine component whose first carrier is the mother — the whimpering bear Mudjekeewis mocks “like a cowardly old woman” before he slays it.

The Anima (n.) stays ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠virgin and uncorrupted because she is turned not to the outer world but to the inner sun — the self.

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the image that rose from inside behind the mother — older, more original and imperishable — a mother changed back into an eternally youthful Kore: the personification of the collective unconscious.

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a split-off with a life of its own: it anticipates a man's thoughts and decisions, so he keeps meeting situations he apparently did nothing to provoke — the fate of every hero unconscious of his intriguing femininity.

The Anima (n.) at ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠first is identical with the mother-imago and represents the hero's own feminine aspect: “Thine own self am I in the bliss of thy love!”

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the archetype of life itself — often a green snake in patients' dreams; from her, with further differentiation, the wise old man detaches as the archetype of spirit.

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠the inward face — the habitual attitude turned towards the unconscious, as the persona is the face turned to the world.

The Anima (n.) holds ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠every common human quality the persona lacks: the tyrant, ruthless outwardly, jumps inwardly at every shadow and is tormented by bad dreams.

The Anima (n.) can ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠be read off the persona: whatever is conspicuously missing from the outer attitude will always turn up in the inner one.

A Anima (n.) projected ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠onto a real person makes that person the object of intense love or equally intense hate — immediate and absolutely compelling.

A Anima (n.) tends ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠to be malevolent in a good-natured, unaggressive man — a daemonic woman at his side.

A Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠recognizable wherever a person is credited with divine power and unshakable supremacy — 'make her an offer and she'll raise your bid': the unconscious reinforcing a conscious feeling with something daemonic.

The Anima (n.) tempts ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠a man's love-choice toward the woman who best receives the projection of his own unconscious femininity — and he may find he has married his own worst weakness.

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠what reacts to the persona: as a man plays the strong man outwardly, he becomes inwardly a woman — and, projecting her, comes under the heel of his wife's slipper.

The Anima (n.) comes ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠between a man and his family like a jealous mistress, driving the public benefactor into tantrums until a vacuum forms around him.

The Anima (n.) must ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠be objectivated: refuse to call her pull your own weakness, so that you can ask her personally, "Why do you want this?"

Anima (n.) remain ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠personified only because we do not use them as functions; made conscious, they become bridges to the unconscious.

The Anima (n.) once ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠conquered is no longer "Mistress" but an intuitive function — what the primitive means by "My snake spoke with me" and the child by "A little bird told me."

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠regularly found in the woman we are in love with; the more sensitive a man, the closer her daemonic projections come — until they break the family taboo.

The Anima (n.) is ⁠​‌​​​‌​​​‌​‌‌​​​​‌​‌​​‌‌​‌​​‌​​​​​‌‌​​‌​​​‌‌​‌‌​⁠not a soul man makes but the a priori element in his moods and impulses — a life behind consciousness from which consciousness itself arises.