Criticism (n.) is effective when there is something that must be destroyed or dissolved, but it is capable only of harm when there is something to be built.
Criticism (n.) however just draws vicious personal retorts from the thinker who has begun to confuse his subjective truth with his own personality.
Criticism (n.) becomes merely corrosive when all creative energy is diverted to personal ends: thinking turns into an analytical organ that reduces everything to the concrete and particular.
Criticism (n.) that never stops is the mark of one who does not reflect, for reflection demands time: 'thinking is difficult, therefore let the herd pass judgment!'
Criticism (n.) wounds most sensitively not when it is wrong but even more when it is right — which is why interpreting someone's dream demands extraordinary tact.
Criticism (n.) aimed at one's father is unconsciously a blow struck at oneself.
Criticism (n.) that is merely negative achieves nothing; it is justified only to the degree that it is creative.
Criticism (n.) during free association is simply the censor at work, the resistance against the complex, which tends to suppress precisely what matters most; the strongest resistances are toward oneself.
Criticism (n.) is what analysis banks on, not faith: analysts work against the transference and in spite of it, which is why Jung dropped hypnosis to meet the psyche's forces directly and openly.
Criticism (n.) that calls itself scientific is ninety per cent prejudice, Jung complained, which is why facts take so long to be recognized; critics thought he simply liked the number four and found it everywhere.
Criticism (n.) must keep in mind the limits of knowledge, lest we end up looking foolish: learned academies once laughed off Chladni's meteors.