The Quaternity (n.) always refers to the self — as in the egg-hieroglyph with points to the four winds: the uttermost circumference and the innermost centre at once.
The Quaternity (n.) is the archetypal 4 that marks an unconscious content coming to consciousness — which is why it haunts cosmogonic myths, from Horus's four sons to Ezekiel's seraphim.
The Quaternity (n.) against the pentad is culture against nature — four the conscious, "spiritual" totality, five the natural man with his trunk and five appendages.
The Quaternity (n.) has a fourth that is special and ambivalent — a daimonion, like the fourth man in the fiery furnace whose form was like a son of God.
The Quaternity (n.) is an organizing schema par excellence, like the crossed threads of a telescope — the instinctive way to order a chaotic multiplicity.
The Quaternity (n.) needs its fourth, an incommensurable Other for mutual determination — as we measure space by time, and as Mary or the devil completes the "Christian Quaternity."
The Quaternity (n.) often has one odd member, 3 + 1 — three animal faces and one human in Ezekiel, three synoptic gospels and one Gnostic, the Trinity and the devil — a motif running through alchemy since Maria the Jewess.
The Quaternity (n.) is the unfolding of unity: the one universal Being cannot be known, being compared with nothing, but splitting into four — sensation, thinking, feeling, intuition — it becomes an object of experience.
The Quaternity (n.) is the unconscious's correction of the Trinity: it adds the fourth — the feminine, the earth, the devil — that dogma left out.
The Quaternity (n.) is what reality needs: one pair of opposites makes only a flat triad, a thought on paper; two pairs make a solid world.
The Quaternity (n.) is the minimum of any whole judgment: to describe the horizon you name four quarters; three is an artificial order, four a natural one.
The Quaternity (n.) is the natural expression of wholeness, since four is the minimum number of determinants in a whole judgment; those who dream in threes are unconscious of their inferior function.
The Quaternity (n.) has a curious 'sport of nature' parallel: the body's chief constituent, carbon, has four valencies, and the diamond is a carbon crystal — black coal become purest water.
A Quaternity (n.) is a real symbol of totality, as when Mary's assumption adds a fourth, feminine principle to the Trinity, whose totality is only postulated since the devil stands outside it.
The Quaternity (n.) represents a consciously reflected, differentiated totality: the given personality is a continuous circle, the conscious personality a circle divided at definite points, usually four.
A Quaternity (n.) marking a mythological figure points to the structure of consciousness, its four orienting functions, two perceptive and two discriminating; so Adam, made from four-cornered dust, is the psyche itself.
The Quaternity (n.) is Jung's term for mandala-like fourfold structures that arise spontaneously as images of totality; unlike the Trinity it holds the opposites, darkness included, in the divine whole.