Schizophrenia (n.) does not heighten sexuality; it replaces lost reality with an archaic world — as when a newer system fails, an older one takes over: one fires bows and arrows instead of guns.
Schizophrenia (n.) is famous for the originality of its products, which turn out mostly to be antiquities: the startling emergence of an archaic psychology.
Schizophrenia (n.) is what happens when consciousness cannot assimilate the archaic contents regression has released: they keep their chaotic form and split the mind.
Schizophrenia (n.) dreams while awake: its fantasies borrow less from the patient's own past than from the mythology of primitive humanity.
Schizophrenia (n.) is what happens when the ego, too small and its brain too feeble, tries to incorporate all the projections withdrawn from the world.
Schizophrenia (n.) leaves its mark in lines of fracture — psychic "faults" in the geological sense running right through a picture — and Picasso belongs to that group.
Schizophrenia (n.) is Bleuler's "split mind", which for Jung has a psychology with causes and aims like normal life, except that the ego is only one of several experiencing subjects, the person split into a plurality of autonomous complexes.
Schizophrenia (n.) deserves a square deal for its psychic side, Jung demanded, since biology, anatomy and physiology had had all the attention and still knew little of heredity or the primary symptom.
Schizophrenia (n.) leaves only fragments, like splinters of glass; in hysteria, beneath the split, one still feels the whole person.