Beauty (n.) casts her golden shimmer only when she soars over a reality of misery, pain and squalor — she needs her opposite in order to exist.
Beauty (n.) was, for Schiller, a religion — his 'aesthetic mood' might equally be called devoutness.
Beauty (n.) and goodness were one for the ancients; it took more than a thousand years of Christian differentiation to learn that the good is not always beautiful.
Beauty (n.) belongs to all pristine things in their nascent state — a touching, magical reflection of the Creator's love and goodness, even in man before he becomes the canaille.
Beauty (n.) is essential to ritual, which has no practical use: God has not been served rightly unless he has been served in beauty.
Beauty (n.) appears in schizophrenic art only as an inexcusable delay in withdrawal.
Beauty (n.) that lets itself be destroyed by a mere shadow-explanation was imperfect to begin with.
Beauty (n.) eluded the crusty old general when his commander demanded a definition of it in a dream, but a young major who looked like his younger self could answer — the dream recalled an interest in art swamped by routine.