National character (n.) carries a little bit of Oedipus in every Greek of the classical period, and a little bit of Faust in every German.
National character (n.) is imprinted like a fate one did not choose, like a beautiful or ugly body — useless to attack or praise; only the individual can change himself.
National character (n.) is a meaningful response, built over centuries, to an undermining environment — the national vices a critic most deplores may be among a people's most necessary possessions.
National character (n.) is a nation's spiritus loci or genius: France's is "la gloire," a prestige psychology noble and ridiculous; Germany's the "Idea," so that even in death one dies as "Hausbesitzersgattin."
National character (n.) was Jung's teasing at a Paris dinner: the French need salt with their sugar and say "enchanté" meaning "go to the devil," while a German sells you sock-suspenders and expects to be loved for it.