Influence (n.) makes the significant man a phantom in others' heads — and torments him with whether he must maintain that phantom for their sake.
Influence (n.) incomparable through the theatre was Wagner's ruling idea, and it appeared first as temptation, the craving of an obscure personal will for tyrannical omnipotence.
Influence (n.) that is great and inner must give the other entirely free rein, and even be glad of resistance in him, or else it inevitably makes an enemy.
Influence (n.) meets a reluctance to force one's own ideas on another, and a joy when another's ideas prevail over one's own.
Influence (n.) of great men harms most through their best: absorbed by those for whom it is too strong a drink, it sends them breaking their limbs on false paths.
Influence (n.) of a higher culture on a lower always begins with its vices, weaknesses, and excesses — vices are aped most easily and need no long training.
Influence (n.) belongs to whoever can stop his whole age at the gate and demand an accounting — whether he desires it is immaterial.
Influence (n.) is the invisible hand: we are bent and tormented worst by what we cannot see, like a tree by the wind.
Influence (n.) of this subterranean kind draws a strange and almost mysterious respect from all the radical parties, because extreme candor is seductive, so that even vituperation grieves them without letting them escape.