The Spectator (n.) is, in his ideal form, one who lets the scenic world work on him, not aesthetically at all, but vitally and empirically.
The Spectator (n.) is the position from which kant wrongly considered art and beauty. He ought to have started from the creator.
A Spectator (n.) strolling through history's world exhibition is moved by wars and revolutions for hardly a moment: the war is not over before it is a hundred thousand printed pages, served to tired palates as the latest delicacy.
A Spectator (n.) without a play is a contradictory idea.
A Spectator (n.) has always had the advantage over the creator, as the public-house politician has always been cleverer than the statesman who actually rules.