Zarathustra (n.) tries to enter the sanctuary of his own existence by an askesis like the religious one but differently oriented, a gospel meant to end the Christian era.
Zarathustra (n.) seems to the sorcerer like a beautiful mask of a saint, a masquerade in which the melancholy devil enjoys himself, and he is loved for the sake of that evil spirit.
Zarathustra (n.) says and does No to an unheard-of degree yet is the opposite of a No-saying spirit; bearing the heaviest fate he is the lightest — a dancer — and finds even the most abysmal idea no objection to existence.
Zarathustra (n.) is merely an old atheist: he says he would believe only in a god who could dance — but he will not.
Zarathustra (n.) was born from a sudden shedding of a terrible burden — ten clear January days turned the pressure of the weather into the most liberated of my productions.
Zarathustra (n.) stands in a constant parodic relation to all previous values — out of plenitude.
Zarathustra (n.) does not express Nietzsche's opinions, his creator warned: he is part of the preparations, an entr'acte.